This has proven to be, like our native foliage, a perennial question that rears its ugly head with alarming regularity and has once again come to the forefront of our…

Why I make promises in print is beyond me. Alas no, I did not go online and do classes outside my cultural comfort zone as intended but I did stumble…

First up. I ‘d like to express that the opinions you are about to read, the publishing company do not endorse, nor take responsibility for. There will probably be a…

I must confess, for a blogger about all things dance I have shut myself off from it, only tentatively resuming my engagement as I’ve been able to participate in real…

Dear Ms B., I don’t know much because to many I’m not qualified but I do know this… From years of dancing on stage I can walk into a room…

Damnit. I was going to write a blog sending you links to dance classes and other free online resources as suggested, but I figured you a clued in and know…

I just consulted my diary and realise that I have been self-isolating for a little over two weeks now. I would like to be able to share witty ditties followed…

We regret to announce that FORM’s upcoming Dance Bites seasons, The Tap Affect (26-28 March, 2020) and Perceptions (21-23 May, 2020) at Riverside Theatres are postponed, until further notice. During…

After this year’s Sydney Festival I was feeling the usual carnivalesque hangover but was given an extended reprieve in the form of Hofesh Shechter’s epic Grand Finale. So many shows…

G’day and welcome to 2020. Let’s face it it’s looking pretty frightening right now. I mean the haze is so thick here in Sydney these days I don’t know if…

Since Dr Garry Lester’s generous appearance here as guest-blogger to review Cloé Fournier’s work Mea Culpa, I have been impressed by the amount of Dance on offer in the ensuing…

The exclamation Mea Culpa is used as an acknowledgement of one’s fault or error.  It’s an interesting entrée into a world replete with conundrums.  In accepting one’s part in a…